Director Ram prefaces Taramani as a knot of unconnected events and so may be meaningless. (மொட்டைத் தலைக்கும் முழங்காலுக்கும் முடிச்சு). The film gets into extremes of almost everything. It portrays the relationship of a street dweller with an upper middle class single mother. It tries to portrays the lights of feminism amidst societal norms. Money gets drawn parallel to honesty. Opportunism is brought in against sincerity. Globalisation versus anti-globalization and self sufficiency. It is a kind of overkill and problem gets widenend just because everything is a conflict. Everything gets pardoned and forgiven and you are at peace. A popular phrase in literary appreciation is "Let the story travel by itself. Let the characters speak!". The problem with Ram's films is; he will be seen throughout the film. It's not just traces, sometimes he gets over the top. In Taramani, he himself acknowledges that and passes on comments and directs the audience (he compares this ...
Today morning I was conversing with my roomie. He told about the infosys HR guy who killed his wife. I am seeing such news often. Though, the reason for this cause-célèbre is very personal, the reports about it attach the organization for which the person is working for. Job has become an identity in our society and is an indispensable aspect in the perception about a personality. Today, I googled "wife murder" and below are the results I got. Another article that I read yesterday brags IT employees' friday groove . In 1980s, during my childhood days, there was a guy in my neighborhood who was working as a teacher in a state government school. He was skilled in hindi and music. He used to run private hindi and music classes and was very popular in our area. We used to call him "Hindi Sir". His mainstream job was never part of the label attached to him. We know him as a person who runs hindi tuition. I believe he did that with passion, got famous and hence e...
If I have to pick the best among the bunch of Indian actors today, I would pick Fahadh Faasil and Nawazuddin Siddiqui. Thondimuthalum Driksakshiyum (TD) is just another proof for me to say so. I have only one complaint against Fahadh... on taking away the beautiful, charming actress in Nazriya out of the film world. TD is a second film of director Dileesh Pothan and his second assembly with Fahadh. TD is way ahead of Maheshinte Prathikaram (MP), (theirs first) in substance, making and in the performance of the actors. Maheshinte prathikaram with all its difference in film making can still be written off as a masala flick with a great screenplay and making. MP has a real good hero, falling for a girl, good at work, happy with his average lifestyle, getting disturbed and retaliating as masalaic as it can get. TD plays with situations and thus has a very enchanting travel. The wall that separates the good and bad and how tall it gets built by situations, is dealt with finer details. ...
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